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The goddess Artio as depicted in the Muri statuette group.. The Gaulish theonym Artiō derives from the Celtic word for the 'bear', artos (cf. Old Irish art, Middle Welsh arth, Old Breton ard), itself from Proto-Indo-European *h₂ŕ̥tḱos ('bear').
Artio - Gallic goddess of the bear; Axona - Gallic goddess of the river Aisne [5] Beira - see Cailleach; Belisama - Gallic and Brittonic goddess; Bergusia - Gallic goddess of Alesia, companion of Ucuetis; Bormana - Gallic goddess of mineral springs, companion of Bormanos; Bricta (Brixta) - Gallic goddess of Luxeuil mineral springs, companion of ...
The Gaulish theonym Andarta is traditionally interpreted as meaning 'Great Bear', perhaps 'powerful bear' or Ursa Major, formed with an intensifying suffix and- attached to a feminine form of artos ('bear'). [1] [2] Andarta might thus have been a counterpart or an alternative name of the Celtic bear goddess, Artio. [2]
Epona, the Celtic goddess of horses and riding, lacked a direct Roman equivalent, and is therefore one of the most persistent distinctly Celtic deities.This image comes from Germany, about 200 AD Replica of the incomplete Pillar of the Boatmen, from Paris, with four deities, including the only depiction of Cernunnos to name him (left, 2nd from top)
"The Three Bears", Arthur Rackham's illustration to English Fairy Tales, by Flora Annie Steel, 1918. Bears have been depicted throughout history by many different cultures and societies. Bears are very popular animals that feature in many stories, folklores, mythology and legends from across the world, ranging from North America, Europe and Asia.
The Ainu Iomante ceremony (bear sending). Japanese scroll painting, circa 1870. Bear worship is the religious practice of the worshipping of bears found in many North Eurasian ethnic religions such as among the Sami, Nivkh, Ainu, [1] Basques, [2] Germanic peoples, Slavs and Finns. [3]
The Celtic god Sucellus. Though the Celtic world at its height covered much of western and central Europe, it was not politically unified, nor was there any substantial central source of cultural influence or homogeneity; as a result, there was a great deal of variation in local practices of Celtic religion (although certain motifs, for example, the god Lugh, appear to have diffused throughout ...
The names of Artio, the ursine goddess, and Epona, the equine goddess, are based on Celtic words for bear and horse, respectively. [3]: 24 In Ireland, the Morrígan is associated with crows, wolves, and horses, among other creatures, and in Scotland Brighid's animals include snakes and cattle.