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Mandala of Vishnu. In Hinduism, a basic mandala, also called a yantra, takes the form of a square with four gates containing a circle with a centre point.Each gate is in the general shape of a T. [3] Mandalas often have radial balance.
Pancha Bhuta (/pəɲt͡ʃəbʱuːt̪ᵊ/ ,Sanskrit: पञ्चभूत; pañca bhūta), five elements, is a group of five basic elements, which, in Hinduism, is the basis of all cosmic creation. [1]
Hinduism, with its 1.2 billion followers, is the religion of about 15-16 % of the world's population [1] and as such the culture that ensues it is full of different aspects of life that are effected by art.
Indian art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent , including what is now India , Pakistan , Bangladesh , Sri Lanka , Nepal , Bhutan , and at times eastern Afghanistan .
Vernacular art is an art alive (contemporary art), based on the past (the myths, the traditions and the religion) and made by defined groups. Vernacular art is based on the collective memory of this group. Examples of Vernacular Indian Painting: Tribal Painting: Bhil painting; Warli painting; Gond painting; Santhal painting; Saora painting ...
Pancha indicates "five," Bhuta means "elements," and Sthala means "place." The temples are located in South India, four in Tamil Nadu and one in Andhra Pradesh. The five elements are believed to be enshrined in the five lingams [1] of the temples, with each lingam named on the element represented. All five temples are located around the 78°E ...
A rangoli on the occasion of Diwali, Goa, India A rangoli made with flowers on the occasion of Onam Rangoli at Delhi, India Rangoli is an art form that originates from the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered limestone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks.
The art and science of designing temples includes the study of sculpture and the ornamentation of religious significance as described in sacred texts (shilpa shaastra aagamas). In Ancient India twelve years of theoretical and practical training used to be given to the student by an able experienced teacher.