Ad
related to: the phaedrus plato summary sparknotes
Search results
Results From The WOW.Com Content Network
The Phaedrus (/ ˈ f iː d r ə s /; Ancient Greek: Φαῖδρος, romanized: Phaidros), written by Plato, is a dialogue between Socrates and Phaedrus, an interlocutor in several dialogues. The Phaedrus was presumably composed around 370 BC, about the same time as Plato's Republic and Symposium . [ 1 ]
In Plato's Utopia Recast: His Later Ethics and Politics, 1–88. Oxford: Clarendon. Brill, Sara. 2013. Plato on the Limits of Human Life. Bloomington: Indiana University Press. ISBN 0253008824; Campbell, Douglas 2021. "Self‐Motion and Cognition: Plato's Theory of the Soul." Southern Journal of Philosophy 59 (4): 523–544. Dorter, Kenneth. 1982.
Thamus was a mythical Pharaoh of Upper Egypt, and appears in Plato's dialogue Phaedrus.According to the story told by Socrates in that dialogue, King Thamus received from the god Thoth the knowledge of writing, but decided not to use it too often, as he reckoned this will damage the ability to remember extensively.
His character in Plato, along with the ill-fated implications of his oncoming exile, has long exerted influence on literature and philosophy. Among the ancients, Alexis' mid-late 4th century comedic play Phaedrus depicts a man philosophizing on the nature of eros, [1] while Diogenes Laërtius assumes Phaedrus to be Plato's "favorite" individual ...
In Plato's dialogues, we find the soul playing many disparate roles. Among other things, Plato believes that the soul is what gives life to the body (which was articulated most of all in the Laws and Phaedrus) in terms of self-motion: to be alive is to be capable of moving yourself; the soul is a self-mover. He also thinks that the soul is the ...
The speech attributed to Lysias in Plato's Phaedrus 230e–234. This speech has generally been regarded as Plato's own work; but the certainty of this conclusion will be doubted by those who observe: the elaborate preparations made in the dialogue for a recital of the erōtikos which shall be verbally exact, the closeness of the criticism made ...
Like the Neo-Platonists, however, Tennemann argued at length that Plato did have a 'secret' or 'esoteric philosophy.' [64] Drawing on the criticism of writing in Plato's Phaedrus and the Seventh Letter attributed to Plato, Tennemann asserted Plato had both practical and philosophical reasons for withholding his 'unwritten doctrines.' [65 ...
In Plato's Ion (/ ˈ aɪ ɒ n /; Ancient Greek: Ἴων) Socrates discusses with the titular character, a professional rhapsode who also lectures on Homer, the question of whether the rhapsode, a performer of poetry, gives his performance on account of his skill and knowledge or by virtue of divine possession.