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Aristotle first lists out five types of endoxa which one can begin reasoning from: [8] the views of everyone; the views of the preponderant majority; the views of the recognized experts; the views of all the experts; the views of the most famous. Aristotle then defines three types of reasoning in an argument:
Aristotle's work on aesthetics consists of the Poetics, Politics (Bk VIII), and Rhetoric. [8] The Poetics was lost to the Western world for a long time. The text was restored to the West in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes. [9]
Aristotle says rhetoric is the counterpart (antistrophe) of dialectic. [1]: I.1.1–2 He explains the similarities between the two but fails to comment on the differences. Here he introduces the term enthymeme. [1]: I.1.3 Chapter Two Aristotle defines rhetoric as the ability in a particular case to see the available means of persuasion.
In classical rhetoric, the Common Topics (koinoi topoi)were a short list of four traditional topics regarded as suitable to structure an argument. [citation needed] In Aristotle's Rhetoric, the common topics are discussed in Book II. [1] They are generally considered to be heuristic. [1]
Problems (Greek: Προβλήματα; Latin: Problemata) is an Aristotelian or possibly pseudo-Aristotelian [1] collection of problems written in a question and answer format. The collection, gradually assembled by the peripatetic school , reached its final form anywhere between the third century BC and the 6th century AD.
The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle's works that have survived from antiquity. According to a distinction that originates with Aristotle himself, his writings are divisible into two groups: the " exoteric " and the " esoteric ". [ 1 ]
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.
The first pupils of Aristotle commentated on his writings, but often with a view to expand his work. Thus Theophrastus invented five moods of syllogism in the first figure, in addition to the four invented by Aristotle, and stated with additional accuracy the rules of hypothetical syllogisms.