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Latex paints (emulsion paints British English, not to be confused with latex rubber) are an emulsion of polymer particles dispersed in water. Macroemulsions in latex paint are inherently unstable and phase separate, so surfactants are added to lower interfacial tension and stabilize polymer particles to prevent demulsification.
Artex differs from plaster in that it was marketed as a material intended to receive a textured finish, thus enabling a ceiling to be finished without plastering skills. It was widely used in Britain in the 1970s, mainly with the familiar stippled and swirled patterns. Artex was also occasionally used on walls. [2]
A fresco painting, from the Italian word affresco which derives from the adjective fresco ("fresh"), describes a method in which the paint is applied on plaster on walls or ceilings. The buon fresco technique consists of painting in pigment mixed with water on a thin layer of wet, fresh, lime mortar or plaster. The pigment is then absorbed by ...
The oldest method, known as the a massello technique, involves cutting the wall and removing a considerable part of it together with both layers of plaster and the fresco painting itself. The stacco technique, on the other hand, involves removing only the preparatory layer of plaster, called the arriccio together with the painted surface.
The word fresco is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster.
The buon fresco technique consists of painting with pigment ground in water on a thin layer of wet, fresh, lime mortar or plaster, for which the Italian word is intonaco. Because of the chemical makeup of the plaster, a binder is not required. However, some artists used lime as a binding medium for pigment to slow the drying process of the ...
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