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' longhouse ') is a type of Japanese rowhouse that was typical during the Edo period (1603–1868). [1] A nagaya was a long housing complex under the same ridge, one or two stories high, divided into small compartments for rent. The well, toilet and waste facilities were shared. Except for a bedroom, each household only had a kitchen. [1]
Minka (Japanese: 民家, lit. "folk houses") are vernacular houses constructed in any one of several traditional Japanese building styles. In the context of the four divisions of society , Minka were the dwellings of farmers, artisans, and merchants (i.e., the three non- samurai castes ). [ 1 ]
Ando's interpretation of this was demonstrated by his idea of reacquainting the Japanese house with nature, a relationship he thought had been lost with Modernist architecture. His first projects were for small urban houses with enclosed courtyards (such as the Azuma House in Ōsaka in 1976).
Shofuso is the first and only place in the United States to house a combination of Japanese contemporary art in the background of traditional Japanese architecture. The City of Philadelphia dedicated Senju's murals on April 27, 2007, and Mayor John F. Street issued a proclamation naming April 27 "Senju Day".
The typical loan term for Japanese homes was 20 years, with a 35% down payment, while in the United States it was 30 years and 25%, due to differing practices in their financial markets. In 1973, according to one study, 65% of the population of Japan lived in detached houses, while 12% lived in attached houses and 23% in a flat or apartment. [10]
Literally, shoji means "small obstructing thing" (障子; it might be translated as "screen"), and though this use is now obsolete, [4] shoji was originally used for a variety of sight-obstructing panels, screens, or curtains, [4] many portable, [94] either free-standing or hung from lintels, [95] used to divide the interior space of buildings ...
Japanese-Western Eclectic Architecture (Japanese: 和洋折衷建築, Hepburn: Wayō Se'chū Kenchiku) is an architectural style that emerged from the Eclecticism in architecture movement of the late 19th and early 20th century, which intentionally incorporated Japanese architectural and Western architectural components into one building design.
Nijiriguchi entrance of a tea house. The ideal free-standing tea house is surrounded by a small garden having a path leading to the tea room. This garden is called roji (露地, "dewy ground") and is divided into two parts by a gate called chumon. [6] Along the path is a waiting bench for guests and a privy.