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With possible additions by another hand. The figure of Joseph and the left part of the pillow seem to have been added by a later hand on the basis of a rough underpainting by Rembrandt Oil Sketch of an Old Man: c. 1655: Oil on panel: 23 x 18: Private collection: 238: Man in Armour: c. 1655: Oil on canvas: 137.5 x 104.5: Kelvingrove Art Gallery ...
Portrait of a Man with Arms Akimbo, formerly known as Portrait of a Foreign Admiral or Portrait of a Dutch Admiral, is an oil painting portrait by Rembrandt signed and dated 1658. It is now in the collection of the Agnes Etherington Art Centre at Queen's University in Kingston, Ontario , and measures 107.4 cm by 87.0 cm.
Sketch of a Bearded Old Man and Three Studies of Headgear: c. 1633-1634?? Chatsworth House: The drawing is related to the painting W110 : Portrait of a Man in an Armchair, Seen Through a Frame: 1634: Black and red chalk, pen and wash in bistre, on vellum: 37.3 x 27.2 cm: Private collection, New York: Inscribed Rembrandt f. 1634 Bearded Old Man ...
Bust of an old man with flowing beard and white sleeve: About 1631 B302: 5: Head of a man in a high cap: About 1631 B312: 2: Bust of an old man with a fur cap and flowing beard, nearly full face, eyes direct: About 1631 B319: 6: Self portrait with cap pulled forward: About 1631 B343: 3: The artist's mother seated at a table, looking right ...
The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly paintings), or the ...
At his feet is a small dog, symbolizing Tobit's fidelity and trust in God's justice. Dutch map of Leyden, 1614. Like most of Rembrandt's first Leyden period, the painting is rich in colour and human emotion. [3] For Michael Kitson, the work is an early and excellent example of Rembrandt's "lifelong fascination with old people". [1]
A Polish Nobleman is a 1637 painting by Rembrandt depicting a man in a costume of Polish szlachta (nobility). The identity of the subject of the painting is unclear, and has given rise to several different interpretations. The view that the figure's dress is clearly Polish is not universally held and it may have been a self-portrait.
The Man with the Golden Helmet (c. 1650) is an oil-on-canvas painting formerly attributed to the Dutch painter Rembrandt and today considered to be a work by someone in his circle. The Man with the Golden Helmet is an example of Dutch Golden Age painting and is now in the collection of the Gemäldegalerie, Berlin .