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Cho Yeo-jeong (Korean: 조여정; born February 10, 1981) is a South Korean actress. She is best known internationally for her role in the film Parasite (2019), which won four Academy Awards and became the first non-English language film to win the award for Best Picture .
It stars Cho Yeo-jeong, Park Ha-sun, Dex (Kim Jin-young), Ko Kyu-pil and Seo Ji-hoon. The film is about a story of people who being trapped in the curse of tarot cards twisted by a moment's choice. [3] The film is a combination of the three short stories in Tarot TV series. [4] [5]
On January 12, 2024, Dex (Kim Jin-young) was reportedly cast as the male lead for the series. [2] Three days after, Cho Yeo-jeong was reported to appear on the series. [6] On January 16, Studio X+U confirmed the casting lineup namely Cho and Dex together with Park Ha-sun, Ko Kyu-pil, Seo Ji-hoon, Lee Joo-bin, Kim Seong-tae [], Ham Eun-jeong, and Oh Yu-jin [].
Parasite (Korean: 기생충; RR: Gisaengchung) is a 2019 South Korean black comedy [8] thriller film directed by Bong Joon-ho, who co-wrote the film with Han Jin-won.The film, starring Song Kang-ho, Lee Sun-kyun, Cho Yeo-jeong, Choi Woo-shik, Park So-dam, Jang Hye-jin, Park Myung-hoon, and Lee Jung-eun, follows a poor family who infiltrate the life of a wealthy family.
Woman of 9.9 Billion (Korean: 99억의 여자; Hanja: 99億의 女子; RR: Gusipgu-eogui Yeoja) is a 2019 South Korean television series starring Cho Yeo-jeong, Kim Kang-woo, Jung Woong-in, Oh Na-ra and Lee Ji-hoon. It aired on KBS2's Wednesdays and Thursdays at 22:00 from December 4, 2019 to January 23, 2020. [2]
Jo Yeo-jeong as Baek Bo-hee; Clara as Oh Nan-hee; Kim Tae-woo as Koo Gang-sung; Kim Bo-yeon as Yoon Gwan-soon; Ra Mi-ran as Eum Soon-ok; Bae Seong-woo as Seok Soo-beom; Kim Gi-cheon as Company president Cheon; Kim Ha-yoo as Koo Ha-yoo; Kim Young-ok as Chairman Yeon; Oh Na-ra as Soo-beom's wife; Lee Seon-hee as Housewife; Kim Do-yeon as Head of ...
The newest episode of Apple TV+'s murder mystery reveals the complicated backstory of estranged brothers Ulysses and Feng.
Promotion and hype had singularly focused on the film's graphic portrayal of sex and Jo Yeo-jeong's nudity, [17] which local critics found misguided and demeaning to a film that according to The Korea Herald "explores the theme of betrayal, revenge and obsessions, with much nuance and depth" and "offers substance and ample entertainment, as ...