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Marcel Duchamp Fountain, 1917, photograph by Alfred Stieglitz at 291 art gallery following the 1917 Society of Independent Artists exhibit, with entry tag visible. The backdrop is The Warriors by Marsden Hartley. [1] Fountain is a readymade sculpture by Marcel Duchamp in 1917, consisting of a porcelain urinal signed "R. Mutt".
An antidote to what Duchamp called "retinal art", In Advance of the Broken Arm was the second of a series of sculptures that he named "ready-mades", the most famous of which is his 1917 Fountain. At the time, the term "ready-made" referred to manufactured goods as opposed to handmade goods, but Duchamp used the term to describe "an ordinary ...
The Fountain Archive (also called The Fountain Archives or Fountain Archive Project) is a processual art project of the French conceptual artist Saâdane Afif which started in 2008/ 2009. The project includes an ongoing series of framed pages which contain one or several reproductions of the work Fountain by Marcel Duchamp .
The board of the 1917 Society of Independent Artists exhibit, of which Duchamp was a director, after much debate about whether Fountain was or was not art, hid the piece from view during the show. [10] Duchamp quickly quit the society, and the publication of Blind Man, which followed the exhibition was devoted to the controversy. While still ...
Alfred Stieglitz (Fountain by R. Mutt, photography; letter) and; Clara Tice (drawing). Volume 2 is best known for the group's reaction to the rejection of Duchamp's Fountain by an unjuried art show in 1917. Although the magazine had a brief life, it was influential as the first publication by Dadaists in the United States.
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Duchamp drew the goatee in black ink with a fountain pen, and wrote "Moustache par Picabia / barbiche par Marcel Duchamp / avril 1942". [ 1 ] As was the case with a number of his readymades, Duchamp made multiple versions of L.H.O.O.Q. of differing sizes and in different media throughout his career, one of which, an unmodified black and white ...