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One of Sogliani's most famous works is the Allegory of the Immaculate Conception at the Galleria dell'Accademia, Florence. His pupils included Sigismondo Foschi and Zanobi Poggini. Giovanni Antonio Sogliani, St. Dominic and his Friars fed by Angels, Fresco, 1536, Convent of San Marco, Florence
Lazzaro Vasari (1399–1468), also known as Lazzaro Taldi and as Lazzaro di Niccolò de' Taldi, was an Italian painter who was born in the Province of Arezzo. His father was a potter, as was Lazzaro Vasari’s son, Giorgio Vasari I .
Six Tuscan Poets is an oil-on-panel painting by the Florentine visual artist and writer Giorgio Vasari, created in 1544.The poets depicted in the painting from left to right are Cristoforo Landino, Marsilio Ficino, Petrarch, Giovanni Boccaccio, Dante Alighieri, and Guido Cavalcanti. [1]
Vasari painted the Allegory of the Immaculate Conception for the family chapel. [16] When in Rome, Vasari also used to stay at the Palazzo Altoviti where he frescoed the Triumph of Ceres. When the palazzo was demolished in order to create the Tiber's embankments, the frescos were removed and are now shown in the National Museum of Palazzo ...
Allegory of Happiness; Allegory of Hercules; Allegory of Isabella d'Este's Coronation; Allegory of Justice; The Allegory of Love (Veronese) Allegory of Music; Allegory of Patience (Vasari) Allegory of Prudence; Allegory of the Battle of Lepanto; Allegory of the Element Earth; An Allegory of the Old and New Testaments; An Allegory of Truth and Time
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The Lives of the Most Excellent Painters, Sculptors, and Architects (Italian: Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as The Lives (Italian: Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older ...
Allegory of Justice (1543) by Giorgio Vasari. Allegory of Justice is an oil-on-panel painting by the Italian Renaissance artist Giorgio Vasari.The painting was commissioned on 6 January 1543 by cardinal Alessandro Farnese for the main room of the Palazzo della Cancelleria in Rome, and was executed the same year.