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Willis is the host of the regular online series Horn Hangouts, [12] which are streamed live on her website and archived on her YouTube channel. The series includes interviews with famous musicians, as well as tips on playing the instrument. She credits the series with helping to create an online community of horn players around the world. [13]
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B ♭ (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular.
In a French horn, the length of tubing (and the bore size) make the partials much closer together than other brass instruments in their normal range and, therefore, harder to play accurately. The F mellophone has tubing half the length of a French horn, which gives it an overtone series more similar to a trumpet and most other brass instruments.
Channel spacings vary from country to country, with spacings of 6, 7 and 8 MHz being common.. In the UK, Band I was originally used by the BBC for monochrome 405-line television; [4] likewise, the French former 455-line (1937–1939) then 441-line (1943–1956) transmitter on the Eiffel Tower in Paris, and some stations of the French monochrome 819-line system used Band I.
The drum and bugle corps activity has been a driving force of innovation behind the creation of marching brass instruments for many decades. The mellophone and the contrabass bugle are among the creations spawned by instrument manufacturers for use in the marching activity due to the influence of drum and bugle corps hornlines.
The sound of the flugelhorn has been described as halfway between a trumpet and a French horn, whereas the cornet's sound is halfway between a trumpet and a flugelhorn. [6] The flugelhorn is as agile as the cornet but more difficult to control in the high register (from approximately written G 5 ), where in general it locks onto notes less easily.
Richard Bissill is a French horn player, composer and arranger, and Professor at the Guildhall School of Music and Drama in London. [1]Born in Leicestershire, he was a member of the Leicestershire Schools Symphony Orchestra and he then studied horn and piano at the Royal Academy of Music before joining the London Symphony Orchestra in 1981.
Many notable French horn musicians struck out in smaller groups, giving the instrument a headliner role in jazz combos. A good account of the presence of the French horn in jazz is Ronald Sweetman's study, A Preliminary Chronology of the Use of the French Horn in Jazz, Further Rev. 1991 Text, Montréal Vintage Society, 1991, ISBN 1-895002-05-2.