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Siegfried (German: [ˈziːk.fʀiːt] ⓘ), WWV 86C, is the third of the four epic music dramas that constitute Richard Wagner's cycle Der Ring des Nibelungen (English: The Ring of the Nibelung). It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of The Ring cycle.
It is often referred to as the Ring cycle, Wagner's Ring, or simply The Ring. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the Ring cycle are, in sequence: Das Rheingold (The Rhinegold) Die Walküre (The Valkyrie) Siegfried; Götterdämmerung (Twilight of the Gods)
The Wagner memorial in the Liebethaler Grund near Dresden. Wagner probably conceived Siegfried's Tod during long walks in this picturesque valley.. According to the composer's own account – as related in his autobiography Mein Leben – it was after the February Revolution that he began to sketch a play on the life of the Hohenstaufen Holy Roman Emperor Friedrich Barbarossa.
Götterdämmerung (German: [ˈɡœtɐˌdɛməʁʊŋ] ⓘ; Twilight of the Gods), [1] WWV 86D, is the last of the four epic music dramas that constitute Richard Wagner's cycle Der Ring des Nibelungen (English: The Ring of the Nibelung).
Wagner wrote the Ring librettos in reverse order, so that Das Rheingold was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874.
The first two components of the Ring cycle were Das Rheingold (The Rhinegold), which was completed in 1854, and Die Walküre (The Valkyrie), which was finished in 1856. In Das Rheingold , with its "relentlessly talky 'realism' [and] the absence of lyrical ' numbers ' ", [ 169 ] Wagner came very close to the musical ideals of his 1849–1851 essays.
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The giants Fafner and Fasolt demand the ring in payment for building Valhalla, and carry off Freia as a hostage. In Götterdämmerung (the fourth opera in Wagner's cycle), Hagen, the murderer of the hero Siegfried, is the half-human half-dwarf son of Alberich by Grimhilde, a human woman. This detail of Hagen's origin is Wagner's invention, not ...