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MP3Gain first computes the desired gain (volume adjustment), either per track or per album, using the ReplayGain algorithm. It then modifies the overall volume scale factor in each MP3 frame, and writes undo information as a tag (in APEv2, or ID3v2 format) making this a reversible process. The scale factor modification can be reversed using the ...
Adobe Premiere Pro is a timeline-based non-linear video editing software developed by Adobe Inc., distributed as part of the Adobe Creative Cloud suite. Primarily aimed at professional video editing, the program also provides an advanced set of tools for creating special effects and visual effects.
ReplayGain analysis can be performed on individual tracks so that all tracks will be of equal volume on playback. Analysis can also be performed on a per-album basis. In album-gain analysis an additional peak-value and gain-value, which will be shared by the whole album, is calculated.
Premiere Clip is a professional video editing mobile application. It was replaced by Premiere Rush in April 2016. Premiere Express was a rich Internet application for simple editing of digital video files. The release was announced on February 21, 2007. Premiere Limited Edition (LE) was a video editor for novice video editors and hobbyists. It ...
Adobe Creative Cloud is a set of applications and services from Adobe that gives subscribers access to a collection of software used for graphic design, video editing, web development, photography, along with a set of mobile applications and also some optional cloud services.
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It corrected a problem with RealPlayer and the system's wave volume control. [2] [3] Volume Logic disabled RealPlayer's volume control and uses its own. Presets stored settings for the amount of each kind of processing to be applied: automatic gain control, limiting, bass boost, etc. Presets cannot be added.
Look-ahead is implemented by splitting the input signal and delaying one side (the audio signal) by the look-ahead time. The non-delayed side (the gain control signal) is used to drive the compression of the delayed signal, which then appears at the output. This way a smooth-sounding slower attack rate can be used to catch transients.