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One example is the Seeburg 3W1, introduced in 1949 as companion to the 100-selection Model M100A jukebox. Stereo sound became popular in the early 1960s, and wallboxes of the era were designed with built-in speakers to provide patrons a sample of this latest technology.
Gulbransen remained in production through the late 1960s, with limited production (mostly drum machines) revived during the 1970s. Seeburg "Trashcan" jukebox (1948, Symphonola Model 148) In 1965, the Seeburg Corporation announced that it was establishing a new music performance rights organization to compete with ASCAP, BMI, and SESAC.
Early 1960s – the 150-4C bass driver replaced by the LE15A. Early 1960s – SE408S power amplifier launched, and available for integration with Paragon as powered speakers (removed by the 1970s). 1979 – use the new drivers employing ferrite magnets instead of Alnico V – the LE15A bass driver replaced by the ferrite LE15H; the 375 midrange ...
The 1960s weren’t just about rock ‘n’ roll and Vietnam War protests; they were also the birthplace of cutting-edge electronics that defined a generation. From sleek transistor radios to ...
The model did not sell well and only 1,600 units were produced. The jukebox line was sold to a German company in 1973. Already in 1960, Wurlitzer founded a wholly owned subsidiary in Hullhorst, Germany, the DEUTSCHE WURLITZER GMBH, which was building electronic organs, vending machines, mostly cigarette vendors, and jukeboxes for the European ...
A Scopitone film spool. The first Scopitones were made in France by a company called Cameca on Blvd Saint Denis in Courbevoie, among them Serge Gainsbourg's "Le poinçonneur des Lilas" (filmed in 1958 in the Porte des Lilas Métro station), [4] Johnny Hallyday's "Noir c'est noir" a French version of Los Bravos' "Black Is Black") and the "Hully Gully" showing a dance around a swimming pool.