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The number used represents the number of modifications the trainer has available, e.g. 'infinite health' or 'one hit kills'. Another difference is the inclusion of game version or digital download source of game. For example: "Hitman: Absolution Steam +11 Trainer", [3] "F.E.A.R 3 v 1.3 PLUS 9 Trainer" etc. [4] [5]
Modern Combat 5 is the first Modern Combat game in the series to use DRM and requires a constant internet connection to play (an internet connection is required for the campaign as well as multiplayer). One major change in the campaign of Blackout, compared to previous Modern Combat titles, is that the missions are shorter. A mission can last ...
MC5 was an American rock band formed in Lincoln Park, Michigan, in 1963. [5] [6] The classic lineup consisted of vocalist Rob Tyner, guitarists Wayne Kramer and Fred "Sonic" Smith, bassist Michael Davis, and drummer Dennis Thompson.
Kramer reformed MC5 in 1974 with Mark Manko on rhythm guitar, Tim Schafe on bass, Bob Schultz on organ, and Frank Lowenberg on drums. [6] This version with Kramer singing lead vocals continued until 1975, when Kramer was incarcerated until 1978. [7]
MC5: A True Testimonial, also written as MC5 * A True Testimonial, is a 2002 feature-length documentary film about the MC5, a Detroit-based rock band of the 1960s and early 1970s. The film was produced by Laurel Legler and directed by David C. Thomas; the couple spent more than seven years working on the project.
Robert W. Derminer (December 12, 1944 [1] – September 18, 1991), known as Rob Tyner, was an American musician best known as the lead singer for the Detroit proto-punk band MC5. His adopted surname was in tribute to the jazz pianist McCoy Tyner. It was Tyner who issued the rallying cry of "kick out the jams, motherfuckers" at the MC5's live ...
Wayne Stanley Kramer (né Kambes; April 30, 1948 – February 2, 2024) was an American guitarist, singer, songwriter, producer, and film and television composer.Kramer came to prominence in the 1960s as the lead guitarist of the Detroit rock band MC5.
Reviewing Back in the USA for Rolling Stone in 1970, Greil Marcus admired the album's "attempt to define themes and problems and an offering of political, social, and emotional solutions", but found that "the music, the sound, and in the end the care with which these themes have been shaped drags it down, save for two or three fine numbers that deserve to be played on every jukebox in the land ...