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"Fire and Ice" is a short poem by Robert Frost that discusses the end of the world, likening the elemental force of fire with the emotion of desire, and ice with hate. It was first published in December 1920 in Harper's Magazine [1] and was later published in Frost's 1923 Pulitzer Prize-winning book New Hampshire. "Fire and Ice" is one of Frost ...
"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." Sometimes, when you’re feeling low, the only way to cheer yourself up is to sulk.Yes, sulk.Rot ...
In 1926, while Cuney was still a student at Lincoln University, his poem "No Images" won first prize in a competition sponsored by Opportunity magazine. The poem poignantly portrays a black woman's internalization of European beauty standards. It has been widely anthologized and is considered a minor classic of the New Negro Movement. [3]
Sad as the last which reddens over one That sinks with all we love below the verge; So sad, so fresh, the days that are no more. Ah, sad and strange as in dark summer dawns The earliest pipe of half-awaken'd birds To dying ears, when unto dying eyes The casement slowly grows a glimmering square; So sad, so strange, the days that are no more.
"Baseball's Sad Lexicon," also known as "Tinker to Evers to Chance" after its refrain, is a 1910 baseball poem by Franklin Pierce Adams. The eight-line poem is presented as a single, rueful stanza from the point of view of a New York Giants fan watching the Chicago Cubs infield of shortstop Joe Tinker, second baseman Johnny Evers, and first baseman Frank Chance complete a double play.
The poem asks you to analyze your life, to question whether every decision you made was for the greater good, and to learn and accept the decisions you have made in your life. One Answer to the Question would be simply to value the fact that you had the opportunity to live. Another interpretation is that the poem gives a deep image of suffering.
Men in the Off Hours is a hybrid collection of short poems, verse essays, epitaphs, commemorative prose, interviews, scripts, and translations from ancient Greek and Latin (of Alcaeus, Alcman, Catullus, Hesiod, Sappho and others). [1] The book broke with Carson's established pattern of writing long poems. [2]
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