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A woodblock print by Yōshū Chikanobu showing Japanese women in Western-style clothes, hats, and shoes (yōfuku)Japanese clothing during the Meiji period (1867–1912) saw a marked change from the preceding Edo period (1603–1867), following the final years of the Tokugawa shogunate between 1853 and 1867, the Convention of Kanagawa in 1854 – which, led by Matthew C. Perry, forcibly opened ...
The same year also saw the dedication of the Gaien or Meiji Shrine's outer gardens, covering some 77 acres (31 ha). [6] From 1 October 1927 the Gallery was open on weekends and public holidays only. [ 1 ] 21 April 1936 saw a special commemorative ceremony on the completion of the paintings and exactly one year later the Gallery opened to the ...
The Meiji Restoration (Japanese: 明治維新, romanized: Meiji Ishin), referred to at the time as the Honorable Restoration (御維新, Goishin), and also known as the Meiji Renovation, Revolution, Regeneration, Reform, or Renewal, was a political event that restored practical imperial rule to Japan in 1868 under Emperor Meiji.
Emperor Meiji in clothes based on a civil official's court uniform. The continuing Westernization of the Emperor's clothing, food, and living conditions after the Meiji Restoration led to the need for Western gofuku (御服), or Imperial garb. This was prepared in 1872, and resembled the court uniforms for civil officials.
The Meiji era (明治時代, Meiji jidai, [meꜜː(d)ʑi] ⓘ) was an era of Japanese history that extended from October 23, 1868, to July 30, 1912. [1] The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent ...
Following the Meiji Restoration in 1868, Japan ended a long period of national isolation and became open to imports from the West, including photography and printing techniques. With this new opening in trade, Japanese art and artifacts began to appear in small curiosity shops in Paris and London. [ 25 ]
Toyohara Chikanobu (豊原周延, 1838–1912), better known to his contemporaries as Yōshū Chikanobu (楊洲周延), was a Japanese painter and printmaker who was widely regarded as a prolific woodblock artist during the Meiji epoch.
"Ee ja nai ka" dancing scene, 1868. Ee ja nai ka (ええじゃないか, lit. ' isn't it good ') was a complex of carnivalesque religious celebrations and communal activities, often understood as social or political protests, [1] which occurred in many parts of Japan from June 1867 to May 1868, at the end of the Edo period and the start of the Meiji Restoration.