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Practice chanters can be made out of various materials and come in various sizes: short chanters are designed for the smaller hands of a child; regular chanters (as shown in the photo at right) are the same size as the traditional chanters; long chanters are also available, with the added length allowing a melody hole spacing identical to that ...
LG-0 and LG-1 discontinued in 1974, LG-2 and LG-3 were replaced by B-25 and B-25N in 1962. The LG series are narrower in the lower bout comparing to the L series, but have a much wider upper bout. [7] In 1949 Gibson produced a run of the Hawaiian variant, HG-2. A 12-string variant, LG-12, was also made in 1967-1973. [8]
The RD series (guitar and bass) was the result of Gibson's desire to tap into the developing synthesizer market, which was thought to have taken customers away from guitars. [3] The series had longer scale lengths : The guitars came in 25½ " , which is more commonly found on most Fender guitars and the many instruments inspired by them, as ...
The Gibson EDS-1275 is a double neck Gibson electric guitar introduced in 1963 and still in production. Popularized and raised to iconic status [ 1 ] by musicians such as John McLaughlin and Jimmy Page , it was called "the coolest guitar in rock".
The B-45-12, a 12-string edition guitar introduced in 1961, was the first B-45 model guitar available and the first B series overall. The B-45-12 had a mahogany body and neck, spruce top, rosewood fingerboard, and a cherry sunburst finish, and was made with "round" shoulders for the 1961 – 1962 model year and "square" shoulders until the end of its production in 1979.
The Byrdland is the first of Gibson's Thinline series. [1] Many guitarists did not desire the bulk of a traditional archtop guitar such as Gibson's L-5, one of Gibson's top models. The Byrdland, with its overall depth of 2 + 1 ⁄ 4 in (5.7 cm), is thinner than the L-5's 3 + 3 ⁄ 8 in (8.6 cm) depth.
1958 saw the introduction of Gibson's new thinline series of guitars. The ES-335, 345 and 355, all came with a semi-hollow body: the wood of the top and back was maple and there was a maple center block inside the guitars which ran the length of the body all the way to the mahogany neck, with a rosewood fingerboard.
The L-4 was first introduced in 1911 as an acoustic rhythm guitar with an oval sound hole and 12 frets to the neck; [1] it was used by Eddie Lang, who also played an L-5. In 1928, Gibson redesigned the guitar, swapping out the oval soundhole for a round one, extending the neck to 14 frets and cantilevering the end of the fretboard over the top ...