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Jazz and jazz-influenced syncopated dance music was being performed in Australia within a year of the emergence of jazz as a definable musical genre in the United States. Until the 1950s the primary form of accompaniment at Australian public dances was jazz-based dance music, modeled on the leading white British and American jazz bands, and ...
The use of the name "twist" for dancing goes back to the nineteenth century. According to Marshall and Jean Stearns in Jazz Dance, a pelvic dance motion called the twist came to America from the Congo during slavery. [6] One of the hit songs of early blackface minstrelsy was banjo player Joel Walker Sweeney's "Vine Twist".
"Mambo No. 5" is an instrumental mambo and jazz dance song originally composed and recorded by Cuban musician Dámaso Pérez Prado in 1949 and released the next year. [1] German singer Lou Bega sampled the original for a new song released under the same name on his 1999 debut album, A Little Bit of Mambo. [2]
This is an A–Z list of jazz tunes, which includes jazz standards, pop standards, and film song classics which have been sung or performed in jazz on numerous occasions and are considered part of the jazz repertoire. For a chronological list of jazz standards with author details, see the lists in the box on the right.
British dance band is a genre of popular jazz and dance music that developed in British dance halls and hotel ballrooms during the 1920s and 1930s. 1920s -> Cape jazz: Cape jazz (more often written Cape Jazz) is a genre of jazz that is performed in the southernmost part of Africa, the name being a reference to Cape Town, South Africa. 1990s ->
Since Lady Gaga's "Bad Romance" in 2009, every video that has reached the top of the "most-viewed YouTube videos" list has been a music video. In November 2005, a Nike advertisement featuring Brazilian football player Ronaldinho became the first video to reach 1,000,000 views. [1] The billion-view mark was first passed by Gangnam Style in ...
A popular jazz standard, the song has been recorded by many artists, including Cab Calloway (1934), Coleman Hawkins (1935) and Eddie Durham (1936). The Benny Goodman Quartet played the song in their famous 1938 Carnegie Hall concert. [2] The tune remains popular in the gypsy jazz repertoire, having been performed by Wawau Adler and others.
After the 1960 Connie Francis version, Bill Holman's 1961 arrangement for the Stan Kenton Orchestra re-imagined the song again as a fiery big band showpiece, with an even larger orchestra. Performances of this arrangement appeared on Kenton's 1962 Grammy Award-winning album Adventures In Jazz and on the 1962 American TV show Jazz Scene USA. [4]