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For instance, size assists in distinguishing between the figure and the ground, as smaller regions are often (but not always) figures. Object shape can assist in distinguishing figure from ground because figures tend to be convex. Movement also helps; the figure may be moving against a static environment.
The figure is formed by a contour or outline (as opposed to an isometric contour line), the common boundary between the figure and ground, usually through a brightness contrast. [6] If a figure is not separated entirely from the ground, a simple black contour line can be drawn around the figure enclosing it and thus differentiating it from the ...
A figure-ground diagram is a two-dimensional map of an urban space that shows the relationship between built and unbuilt space. It is used in analysis of urban design and planning . It is akin to but not the same as a Nolli map which denotes public space both within and outside buildings and also akin to a block pattern diagram that records ...
Figure and ground (media), a concept developed by media theorist Marshall McLuhan; Figure–ground (perception), referring to humans' ability to separate foreground from background in visual images. Figure-ground perception is one of the main issues in gestalt psychology. Figure-ground in map design, the ability to easily discriminate the main ...
Reversible figures and vase, or the figure-ground illusion Rabbit–duck illusion. To make sense of the world it is necessary to organize incoming sensations into information which is meaningful. Gestalt psychologists believe one way this is done is by perceiving individual sensory stimuli as a meaningful whole. [21]
McLuhan used different words to describe the figure/ground relationship, sometimes using content for figure and environment or, more often, medium for ground. [2] "McLuhan looked at media through a figure/ground relationship." [1] To him, people tended to focus on only specific parts of the media, and disregard other parts. "To examine the ...
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A well-composed transit map of Istanbul, with a high degree of contrast between the symbols, creating a strong visual hierarchy (transit lines are and look most important), figure-ground, and selectivity (the green national rail line can be isolated when necessary). Also note the harmonizing subdued tones of green and blue in the background.