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  2. Treble booster - Wikipedia

    en.wikipedia.org/wiki/Treble_booster

    The Colorsound Power Boost is a treble and bass booster that runs on 18 volts, using two nine-volt batteries. David Gilmour used this orange coloured unit, but is often misunderstood to have used an Orange brand Treble Booster. [14] Other notable users include Gary Moore. [15]

  3. Bass amplifier - Wikipedia

    en.wikipedia.org/wiki/Bass_amplifier

    The GK used a tube preamp simulator circuit called "boost". GK 800RB users include Red Hot Chili Peppers bassist Flea and Guns N' Roses' Duff McKagan. [4] The Marshall JMP Super Bass is a 100 watt amp. Lemmy, bassist/lead singer of Motörhead, used numerous of these amps to drive cabinets with four 12" speakers and others with four 15" speakers.

  4. Electro-Harmonix - Wikipedia

    en.wikipedia.org/wiki/Electro-Harmonix

    Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...

  5. Bass (sound) - Wikipedia

    en.wikipedia.org/wiki/Bass_(sound)

    The bass player is a member of the rhythm section in a band, along with the drummer, rhythm guitarist, and, in some cases, a keyboard instrument player (e.g., piano or Hammond organ). The bass player emphasizes the root or fifth of the chord in their basslines (and to a lesser degree, the third of the chord) and accents the strong beats.

  6. Effects unit - Wikipedia

    en.wikipedia.org/wiki/Effects_unit

    Bass effects are electronic effects units that are designed for use with the low pitches created by an electric bass or for an upright bass used with a bass amp or PA system. Two examples of bass effects are fuzz bass and bass chorus. Some bass amplifiers have built-in effects, such as overdrive or chorus.

  7. Smiley face curve - Wikipedia

    en.wikipedia.org/wiki/Smiley_face_curve

    An idealized and extreme smiley face curve shown using a 29-band graphic equalizer. A smiley face curve or mid scoop [1] in audio signal processing is a target frequency response curve characterized by boosted low and high frequencies coupled with reduced midrange frequency power.

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