Search results
Results From The WOW.Com Content Network
There have been numerous revivals since newer styles supplanted ragtime in the 1920s. First in the early 1940s, many jazz bands began to include ragtime in their repertoire and put out ragtime recordings on 78 rpm records. A more significant revival occurred in the 1950s as a wider variety of ragtime genres of the past were made available on ...
Robinson was raised in Chicago. A self-taught musician, Robinson's love for ragtime began in the 7th grade [5] His mother purchased a piano and he spent the next three years submerged in the self study of music. In 1988 Robinson took lessons with Theodore Bargman at the American Conservatory of Music in downtown Chicago.
Muggsy Spanier & His Ragtime Band are perhaps the first band of the late 1930s traditional jazz revival. [387] The most successful movie musical of the era, The Wizard of Oz, is released. [212] The partnership between Fred Astaire and Ginger Rogers has led to their mainstream fame, while establishing the basic format for the Hollywood dance ...
[108] [109] That year, numerous other bands made recordings featuring "jazz" in the title or band name, but most were ragtime or novelty records rather than jazz. In February 1918 during World War I, James Reese Europe's "Hellfighters" infantry band took ragtime to Europe, [ 110 ] [ 111 ] then on their return recorded Dixieland standards ...
Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York. [4]
Some rank Artie Matthews with Scott Joplin, Joseph Lamb, and James Scott as one of the finest and most sophisticated ragtime composers. His most famous rags are the "Pastime Rags", numbered 1 to 5, the latter of which was recorded in 1946 by Lu Watters and the Yerba Buena Jazz Band with Wally Rose on piano.
William Henry Krell was a Chicago band leader and composer whose other compositions included: Our Carter: A Beautiful Ballad (1893), with Silas Leachman; The American Girl Battle Ship March (1898) The Cake Walk Patrol (1895) Fighting Bob Evans (1898) A Dream of the Ball: Waltzes (1895) Finnigan Cadets (1898) The First Extra: Waltzes (1895)
Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York. [2]