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The "Golden Lyre of Ur" or "Bull's Lyre" is the finest lyre, and was given to the Iraq Museum in Baghdad. [10] Its reconstructed wooden body was damaged due to flooding during the Second Iraqi War; [11] [7] a replica of it is being played as part of a touring ensemble. [2] The "Golden Lyre" got its name because the whole head of the bull is ...
The Mesopotamian sun god Utu/Shamash was often taken to assume the form of a bull, particularly in his role at sunrise, and is the figure most frequently described in some cuneiform texts as having a lapis lazuli beard. [2] For these reasons, the Penn Museum has asserted that the bull head of the lyre is a representation of Utu/Shamash. [3]
A depiction of a singer and a lyre player entertaining guests at a banquet c. 2500 BCE. Music was a normal part of social life in Mesopotamia. Detail from the Standard of Ur. British Museum, London. [1] Music was ubiquitous throughout Mesopotamian history, playing important roles in both religious and secular contexts.
Ninmeurur (Sumerian: "lady who collects all the me") also appears next to Ninigizibara and yet another minor goddess from Inanna's entourage, Ninḫinuna, in the Isin god list. [31] In a single late copy of Uru-Ama'irabi an Akkadian gloss refers to Ninigizibara as a male deity; later on in the same manuscript identifies him as Inanna's husband ...
The earliest reference to the word "lyre" is the Mycenaean Greek ru-ra-ta-e, meaning "lyrists" and written in the Linear B script. [5] In classical Greek, the word "lyre" could either refer specifically to an amateur instrument, which is a smaller version of the professional cithara and eastern-Aegean barbiton, or "lyre" can refer generally to all three instruments as a family. [6]
c. 2800 BC - The invention of the harp and the lyre in Mesopotamia. [3] [4] c. 2550–2450 BC - The invention of the Bull Headed Lyre of Ur, string instrument used in Mesopotamia. c. 2550-2450 BC - The invention of the Lyres of Ur, a stringed musical instrument from the Early Dynastic III Period of Mesopotamia. [5]
Ninḫinuna or Ninḫenunna [1] was a Mesopotamian goddess. She could be regarded as a servant deity or a deified instrument, specifically a harp or a lyre. She was associated with Inanna and Ninisina, as indicated by god lists and literary texts. She was worshiped in Old Babylonian Isin, as well as in Seleucid Uruk.
The lyre (Hittite: zinar; Summerogram: GIŠ.d INANNA 'Ishtar-Instrument' after the Mesopotamian goddess Ishtar) is the best attested musical instrument. The textual and archaeological evidence distinguishes between small and large lyres. The two kinds of lyre could be played one after the other, but probably never at the same time.