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"Happy Birthday to You", or simply "Happy Birthday", is a song traditionally sung to celebrate a person's birthday. According to the 1998 Guinness World Records , it is the most recognized song in the English language, followed by " For He's a Jolly Good Fellow ".
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...
"Happy Birthday" was not only an instant country hit, but up until Christmas of that year was receiving considerable airplay on pop-rock stations on the east and west coasts of the United States and was a "Pick Hit of the Week" on WWDC, Washington, DC. The song continued its rise up the country charts well into the spring of 1965, reaching #3 ...
[Kishan Thakor 1] Mildred Jane Hill (June 27, 1859 – June 5, 1916) was an American songwriter and musicologist, who composed the melody for "Good Morning to All", later used as the melody for "Happy Birthday to You".
Send these birthday wishes to your best friend, mom, dad, brother, sister or special someone. Find a mix of funny, heartfelt and simple messages for their card.
Screenshot of four players playing different parts of "Happy Birthday to You" using piano, acoustic guitar, cowbell, and dog suit. Unlike Guitar Hero, playing to the on-screen guide (not shown) is optional. [9] Wii Music allows players to either stick close to the original melody or improvise new arrangements, using any selection of instruments.
Short Birthday Wishes for Best Friends. Happy birthday to my beautiful and irreplaceable best friend. Happy you day, my friend!. Here’s to another year around the sun, my dear friend.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...