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Cyrk - contemporary Polish circus posters, emerged in 1962 as a genre of the Polish School of Posters. [1] They are characterized by their display of aesthetic qualities such as painterly gestures, linear design, hand-lettering, metaphors, humor, and vibrant colors.
Armin Hofmann, Poster for Kunsthalle Basel, 1959. Swiss style (also Swiss school or Swiss design) is a trend in graphic design, formed in the 1950s–1960s under the influence of such phenomena as the International Typographic Style, Russian Constructivism, the tradition of the Bauhaus school, the International Style, and classical modernism.
The Polish School of Posters was an approach to poster design which started during the post-World War II period in Poland from the 1950s continuing through the 1980s. In its early years, the Polish People's Republic (PRL, 1947–1989) was in a phase of rebuilding its cultural institutions. In the post-war economy under bureaucratic censorship ...
The Cool S consists of 14 line segments, forming a stylized, pointed S-shape.It has also been compared to the infinity symbol. [4] The S appears to have depth, where the overlap in the center of the S and the appearance of a potential altitude change at the top and bottom of the S make it look like the S connects back to itself in the same way as the infinity symbol does. [5]
Art Nouveau posters and graphic arts flourished and became an important vehicle of the style, thanks to the new technologies of color lithography and color printing, which allowed the creation of and distribution of the style to a vast audience in Europe, the United States and beyond. Art was no longer confined to art galleries, but could be ...
Historic poster artists. The Beggarstaffs, active 1893–1899; Róbert Berény (1887–1954) Gino Boccasile (1901–1952) Sándor Bortnyik (1893–1976)