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The second edition of the Hymnary, often abbreviated to RCH or CH2, coincided with the preparations for the union of the Church of Scotland with the United Free Church of Scotland (1929). RCH contains 727 hymns and was edited by Welsh composer David Evans. Like its predecessor, it was printed together with the psalter in a single volume, and ...
The opening line (Holy, Holy, Holy! Lord God Almighty!) references Isaiah 6:3 and Revelation 4:8 [ 3 ] and mirrors the opening line of the Sanctus (Holy, Holy, Holy, Lord God of hosts). Described as a "reverent and faithful paraphrase of Revelation 4:8–11" and of the Johannine vision of unending worship in Heaven, it is an example of Heber's ...
A Message Came to A Maiden Young [1] Accept Almighty Father; Adeste Fideles; Adoramus te; Adoro te devote; Agnus Dei; All Glory, Laud and Honour; All of seeing, all of hearing; Alleluia! Alleluia! Praise the Lord; Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High ...
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"Ye Watchers and Ye Holy Ones" (Latin: Vigiles et Sancti) is a popular Christian hymn with text by Athelstan Riley, first published in the English Hymnal (1906). It is sung to the German tune Lasst uns erfreuen (1623).
"Holly Holy" is a song written and recorded by Neil Diamond with instrumental backing provided by the American Sound Studio house band in Memphis. Released as a single on October 13, 1969, [ 1 ] it was a successful follow up to " Sweet Caroline ", reaching #6 on the U.S. pop singles chart by December.
The first verse consists of the lyrics "Open the eyes of my heart, Lord" (sung twice, the second time without "Lord") and "I want to see You" (sung twice verbatim). The chorus is the most lyrically rich part of the song. “To see you high and lifted up, shining in the light of your glory. Pour out your power and love as we sing holy holy holy”
The lyrics were written by George Atkins and first published in 1819. The traditional tune, Holy Manna, is a pentatonic melody in Ionian mode originally published by William Moore in Columbian Harmony, a four-note shape-note tunebook, in 1829. [1] Like most shape-note songs from that century, it is usually written in three parts.