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The stations themselves must consist of, at the very least, fourteen wooden crosses—pictures alone do not suffice—and they must be blessed by someone with the authority to erect stations. [29] Pope John Paul II led an annual public prayer of the Stations of the Cross at the Roman Colosseum on Good Friday.
The cross is a combination of a Potent Cross and Quadrate Cross, which appears in the arms of the episcopal see of Lichfield & Coventry. Cross of Jeremiah: The cross of the prophet Jeremiah, also known as the "Weeping Prophet". Cross of Lazarus: A green Maltese cross associated with St. Lazarus. [7] Cross of Saint Maurice
The original cross, kept at the Beaney House of Art and Knowledge in Canterbury, is a bronze cruciform brooch, with triangular panels of silver, incised with a triquetra and inlaid with niello. [3] This cross features a small square in the centre, from which extend four arms, wider on the outside, so that the arms look like triangles ...
However, the cross symbol was already associated with Christians in the 2nd century, as is indicated in the anti-Christian arguments cited in the Octavius [7] of Minucius Felix, chapters IX and XXIX, written at the end of that century or the beginning of the next, [note 2] and by the fact that by the early 3rd century the cross had become so ...
In the traditional scheme of the Stations of the Cross, the final Station is the burial of Jesus. Though this constitutes a logical conclusion to the Via Crucis, it has been increasingly regarded as unsatisfactory [by whom?] as an end-point to meditation upon the Paschal mystery, which according to Christian doctrine culminates in, and is incomplete without, the Resurrection (see, for example ...
Iconography [10] is part and parcel of all major world religions, though none represent medieval Christianity more so than the sign of the cross. [11] What designates this specific version of the Christian cross as distinctively Carolingian is its attachment to the Frankish royal family descended from Charles Martel, the role that Frankish clerics played in their theological conception or ...
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A crux gemmata (Latin for jewelled cross) is a form of cross typical of Early Christian and Early Medieval art, where the cross, or at least its front side, is principally decorated with jewels. In an actual cross, rather than a painted image of one, the reverse side often has engraved images of the Crucifixion of Jesus or other subjects.