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Merleau-Ponty died suddenly of a stroke in 1961 at age 53, apparently while preparing for a class on René Descartes, leaving an unfinished manuscript which was posthumously published in 1964, along with a selection of Merleau-Ponty's working notes, by Claude Lefort as The Visible and the Invisible.
Madison further stated that some commentators believed that Merleau-Ponty's thought had taken a significantly different direction in his late, unfinished work The Visible and the Invisible, edited by the philosopher Claude Lefort, while others emphasized the continuity of his work, with the issue receiving "much scholarly discussion". [14]
Maurice Merleau-Ponty, Le visible et l’Invisible (1964). Translated by Lingis as The Visible and the Invisible (1968). Pierre Klossowski, Sade, mon prochain (1947). Translated by Lingis as Sade My Neighbor (1991).
The appearance during its course of what he called 'the newly published, posthumous work of my friend Maurice Merleau-Ponty, Le Visible et l'invisible" led Lacan however – "free as I am to pursue...the way that seems best to me" – into a long detour midway upon "the eye and the gaze – this is for us the split in which the drive is ...
However, there were people like Merleau-Ponty, who at one time happened to be passionate about the links between the visible and the invisible. As a philosopher, Merleau-Ponty even discovered in it some sort of "profondeur charnelle". Poets too have also attempted to meet the transvisible in the flesh.
Chiasmi International: Trilingual Studies Concerning the Thought of Merleau-Ponty is a peer-reviewed academic journal that publishes articles, reviews, and discussions in Italian, French, and English on the thought of the French philosopher Maurice Merleau-Ponty.
His first work published in French, La visibilité de l’invisible. Merleau-Ponty entre Cézanne et Proust (2001), was praised for its "mosaic" of voices - Franco Paracchini, in a review in Les Études philosophiques, distinguished the voices of Merleau-Ponty, of Carbone, and later of Proust and Cézanne, and admired the overview of the ...
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