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A simple sealed tube (Carius tube). Thick-walled glass tube (left), filled with reaction mixture (center) and sealed tube (right). Georg Ludwig Carius (August 24, 1829 – April 24, 1875) was a German chemist born in Barbis, in the Kingdom of Hanover. He studied under Friedrich Wöhler and was assistant to Robert Bunsen for 6 years.
Die Musik in Geschichte und Gegenwart (MGG; "Music in the Past and Present") is a German music encyclopedia.It is among the world's most comprehensive encyclopedias of music history and musicology, on account of its scope, content, wealth of research areas, and reference to related subjects.
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
Theory can be seen as a way to map the world and make it navigable; communication theory gives us tools to answer empirical, conceptual, or practical communication questions. [1] Communication is defined in both commonsense and specialized ways. Communication theory emphasizes its symbolic and social process aspects as seen from two ...
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Clearing Up: Coast of Sicily, Andreas Achenbach, 1847. Sturm und Drang (/ ˌ ʃ t ʊər m ʊ n t ˈ d r æ ŋ,-ˈ d r ɑː ŋ /, [1] German: [ˈʃtʊʁm ʔʊnt ˈdʁaŋ]; usually translated as "storm and stress" [2]) was a proto-Romantic movement in German literature and music that occurred between the late 1760s and early 1780s.
In European art music, the common practice period was the period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well.
Post-tonal music theory is the set of theories put forward to describe music written outside of, or 'after', the tonal system of the common practice period.It revolves around the idea of 'emancipating dissonance', that is, freeing the structure of music from the familiar harmonic patterns that are derived from natural overtones.