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Many critics believe that Bradstreet was a woman who pushed the boundaries of her religion. Fortunately for her, she did not suffer negative consequences like Anne Hutchinson, who was also a Puritan writer of her time. [3] Other writers such as Ann Stanford and Samuel Eliot Morison have also critiqued The Tenth Muse Lately Sprung Up in America.
The role of women is a common subject found in Bradstreet's poems. Living in a Puritan society, Bradstreet did not approve of the stereotypical idea that women were inferior to men during the 1600s. Women were expected to spend all their time cooking, cleaning, taking care of their children, and attending to their husband's every need.
Feminist poetry in the United States is often thought of as beginning with Anne Bradstreet (1612–1672), the first poet of the New World. There were also, however, native poetic traditions before colonialism, which continue to the present day, and represent an important strand of American poetry.
"Contemplations" is a 17th-century poem by English colonist Anne Bradstreet. The poem's meaning is debated, with some scholars arguing that it is a Puritan religious poem while others argue that it is a Romantic poem.
Bradstreet's first posthumous edition. Anne Bradstreet, Several Poems Compiled with Great Variety of Wit and Learning, a reprint of The Tenth Muse Lately Sprung Up in America, published in Boston, Massachusetts (original volume published in London in 1650) with significant additions, including "Contemplations", said to be her best poem; original, full title: "The Tenth Muse, lately Sprung up ...
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She had no formal education but had constant tutoring provided by her abusive father. Her collection of poems, "The Tenth Muse Lately Sprung Up In America" (1650), was the first published work by a woman in America and England. [2] Edward Taylor (c. 1642 to 1729) emigrated to America in 1662 in defiance of the restoration of the English monarchy.
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