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Pashmina blankets were also part of a wealthy woman's dowry in India, Pakistan and Nepal. [14] In nineteenth-century English literature Kashmiri shawls were coded as women's luxuries. They acquired the status of heirlooms, worn by a girl on her marriage and coming-of-age. [15] They were inherited rather than purchased. [16]
Cashmere derives its name from the home of the Kashmir shawl, and is often incorrectly equated with pashmina. Pashmina and cashmere both come from the Changthangi goat, but pashmina is made from a fine subset of cashmere [2] ranging from 12–16 microns, [8] whereas generic cashmere ranges from 12–21 microns. [8]
Typically worn by Sudanese women. a long, colorful fabric wrap typically worn over a dress or shirt and a skirt. In the past, the Toob was worn by all Sudanese women, but modern preferences have shifted towards more contemporary clothing styles. [12] Tudung: Headscarf worn in Malaysia and Indonesia.
The best quality of Jamawar is built with Pashmina. The brocaded parts are woven in similar threads of silk or polyester. Most of the designs seen today are floral, with the kairy as the predominant motif. Historically handmade items, some shawls took a couple of decades to complete; consequently, original Jamawar shawls are highly valued.
Woolen garments are common, with men wearing chogas (long cloaks) and women draping shawls or pashmina scarves. [19] Himachali caps, known for visible colors and geometric patterns, are a distinctive feature of the region's attire. [20] In Kashmir, the pheran is a traditional loose gown worn by both men and women during winter. [21]
Always a luxury commodity, the intricate, tapestry-woven, fine wool shawl had become a fashionable wrap for the ladies of the English and French elite by the 18th century. Supply fell short of demand and manufacturers pressed to produce more, created convincing embroidered versions of the woven shawls that could be produced in half the time.