Ad
related to: 19th century staffordshire pottery
Search results
Results From The WOW.Com Content Network
By the late 18th century North Staffordshire was the largest producer of ceramics in Britain, despite significant centres elsewhere, and relied heavily on child labor throughout the production process. [4] Large export markets took Staffordshire pottery around the world, especially in the 19th century. [5]
Staffordshire figures are a type of popular pottery figurine made in England from the 18th century onward. Many Staffordshire figures made from 1740 to 1900 were produced by small potteries and makers' marks are generally absent.
Staffordshire dogs are nowadays collectors’ items. [11] Since the 1720s, spaniels had been produced by pottery factories in Staffordshire. The quality of the modeling and painting of the Staffordshire dogs may differ. [12] As the popularity of the figurines increased towards the end of the 19th century, the quality began to decline. [2]
The Ridgway family was one of the important dynasties manufacturing Staffordshire pottery, with a large number of family members and business names, over a period from the 1790s to the late 20th century. In their heyday in the mid-19th century there were several different potteries run by different branches of the family.
Pottery decorated using this technique is known as transferware or transfer ware. It was developed in England from the 1750s on, and in the 19th century became enormously popular in England, though relatively little used in other major pottery-producing countries. The bulk of production was from the dominant Staffordshire pottery industry ...
Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", [1] an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art ...
In the 19th century, J. & G. Meakin was known for the vast quantities of cheap ironstone china it produced for the domestic English market and for export to Australia, Canada, New Zealand and the United States. From around 1970, designs included Liberty, Sterling, Trend, Classic and Heirloom. Some of these were influenced from earlier designs.
Samuel Alcock (1799–1848) was an English pottery manufacturer who operated as Samuel Alcock & Co in Burslem, Staffordshire from 1828 to 1859. They were especially noted for "picture jugs" modelled and moulded in relief in various ceramic materials, a popular type of object in these years.