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The sociology of art is a subfield of sociology that explores the societal dimensions of art and aesthetics. [ 1 ] Scholars who have written on the sociology of art include Pierre Bourdieu , Vera Zolberg, Howard S. Becker , Arnold Hauser , and Harrison White .
The work of Theodor Lipps, a Munich-based research psychologist, played an important role in the early development of the concept of art psychology in the early decade of the twentieth century. [citation needed] His most important contribution in this respect was his attempt to theorize the question of Einfuehlung or "empathy", a term that was ...
Art criticism is the discussion or evaluation of art. [78] [79] [80] Art critics usually criticize art in the context of aesthetics or the theory of beauty. [79] [80] A goal of art criticism is the pursuit of a rational basis for art appreciation [78] [79] [80] but it is questionable whether such criticism can transcend prevailing ...
Visual sociology attempts to study visual images produced as part of culture. Art , photographs , film , video , fonts , advertisements , computer icons , landscape , architecture , machines , fashion , makeup , hair style , facial expressions , tattoos , and so on are parts of the complex visual communication system produced by members of ...
In psychology of art, the relationship between art and emotion has newly been the subject of extensive study thanks to the intervention of esteemed art historian Alexander Nemerov. Emotional or aesthetic responses to art have previously been viewed as basic stimulus response, but new theories and research have suggested that these experiences ...
Human behavior is studied by the social sciences, which include psychology, sociology, ethology, and their various branches and schools of thought. [1] There are many different facets of human behavior, and no one definition or field study encompasses it in its entirety. [2]
La Psychologie de l'Art (The Psychology of Art) is a work of art history by André Malraux. The book offers an explication of Malraux's philosophy of art via the history of Western painting . It was originally published in three volumes: The Imaginary Museum (1947); The Artistic Creation (1948); and Aftermath of the Absolute (1949).
Researchers from the fields of sociology, psychology, and anthropology have also been fascinated by gift-giving, a universal phenomenon that holds emotional meaning using material culture. According to Schieffelin, "gift-giving is a vehicle of social obligation and political maneuver."