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TDS Racing, a French auto racing team; The Downward Spiral, a 1994 album by Nine Inch Nails; Tower Defense Simulator, a tower defense game on Roblox; See also
The song was recorded in Atlanta, Georgia, and is an example of the city's club-oriented crunk subgenre, popularized by Lil Jon in the 2000s. Its distinctive squeak sample has been referenced by several international pop and rap artists, particularly among Korean pop groups.
This is an accepted version of this page This is the latest accepted revision, reviewed on 14 January 2025. This is a list of onomatopoeias, i.e. words that imitate, resemble, or suggest the source of the sound that they describe. For more information, see the linked articles. Human vocal sounds Achoo, Atishoo, the sound of a sneeze Ahem, a sound made to clear the throat or to draw attention ...
Latina (Reykon song) Lay You Down (Tyga song) Let It Show (Tyga song) Light Dreams; Light It Up (Marshmello, Tyga and Chris Brown song) Like It Is (song) Lil Homie; Live It Up (Tulisa song) Loco Contigo; Love Game (Tyga song) Low Key (Ally Brooke song) Loyal (Chris Brown song) Loyalty (Birdman song)
ID" was also included on the FIFA 16 soundtrack. It was the official anthem of the 2015 Ultra Music Festival. Kygo was asked to create the official anthem of the 2015 Ultra Music Festival. A song was used in their trailer for the Miami festival, which took place in March. The track is simply titled "ID" because it doesn't officially have a name ...
This page was last edited on 22 January 2025, at 20:35 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The song "Paralyzed" by the outsider musician the Legendary Stardust Cowboy is an example of the use of screaming vocals in experimental music. [ citation needed ] Noise music is notable for screamed vocals, examples being the well-known noise artist Masonna and the vocalist Maja Ratkje .
"It Don't Mean a Thing (If It Ain't Got That Swing)" is a 1931 composition by Duke Ellington with lyrics by Irving Mills. It is now accepted as a jazz standard , and jazz historian Gunther Schuller characterized it as "now legendary" and "a prophetic piece and a prophetic title". [ 1 ]