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Cariñosa or Karinyosa is a well known dance around the Philippines with the meaning of the word being affectionate, lovable, and amiable. The dancers use a handkerchief and go through the motions of hide and seek or typical flirtatious and affectionate movements. The dance comes in many forms but the hide and seek is common in all. [31] Kuratsa
This is a list of notable folk dance performance groups, listed by country of origin. This list is incomplete ; you can help by adding missing items . ( November 2019 )
The following is a list with the most notable dances. Names of many Greek dances may be found spelt either ending with -o or with -os.This is due to the fact that the word for "dance" in Greek is a masculine noun, while the dance itself can also be referred to by a neuter adjective used substantively.
Often folkloric dances were featured where students explored fashion and transnationalism within the context of Filipino American identity. Skits presented within the program had a tendency to draw comparisons to the experiences of Filipino Americans, such as traditional views of parents, homophobia, domestic violence, and more important ...
He also founded Ramon Obusan Folkloric Group in 1972. Among the awards Obusan received was the Patnubay ng Kalinangan award by the City of Manila in 1992, the Gawad CCP Para sa Sining award in 1993 and the prestigious National Artist of the Philippines for dance in May 2006. [1] [2] [3]
Lucrecia Faustino Reyes-Urtula (June 29, 1929 – August 4, 1999) was a Filipino choreographer, theater director, teacher, author and researcher on ethnic dance. She was the founding director of the Bayanihan Philippine National Folk Dance Company and was named National Artist of the Philippines for dance in 1988.
The term "folk dance" is sometimes applied to dances of historical importance in European culture and history; typically originating before the 20th century. For other cultures the terms "ethnic dance" or "traditional dance" are sometimes used, although the latter terms may encompass ceremonial dances.
The dancers dance by hitting one coconut shell with the other; sometimes the ones on the hands, the ones on the body, or the shells worn by another performer, all in time to a fast drumbeat. Maglalatik can be seen as a mock battle between the dancing boys. [3] The dance is intended to impress the viewers with the great skill of the dancers.