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Moderato nobile: The violin solo which opens the concerto is a theme from Another Dawn (1937), running over two octaves in five notes. Juarez (1939) provided the second theme (the Maximilian & Carlotta theme), more expansive and reliant upon the orchestra.
Violin Concerto in D major, Op. 35 (1937–1939, revised in 1945) Cello Concerto in C major, Op. 37 (1946) (expanded from a work written for the 1946 film Deception) Symphonic Serenade in B-flat major, Op. 39, for string orchestra (1947–1948) Symphony in F-sharp major, Op. 40 (1947–1952) Theme and Variations, Op. 42 (1953) Straussiana (1953)
In 2009, Korngold's Violin Concerto was released on the Naxos Records label, along with Overture to a Drama, Op. 4, and the concert suite from Much Ado About Nothing, performed by the Orquesta Sinfonica de Mineria and violinist Philippe Quint. [52]
Violin Concerto "Bristlecone Concerto", for violin and chamber orchestra (1984) Double Concerto for violin, mandolin and orchestra or chamber orchestra "Would You Just As Soon Sing As Make That Noise?!" (1983) Leoš Janáček (1927) Joseph Joachim. Violin Concerto No. 1 in G minor, Op. 3 (1851), in one movement, dedicated to Franz Liszt
A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble (customarily orchestra). Such works have been written since the Baroque period, when the solo concerto form was first developed, up through the present day.
Violin Concerto (Korngold) This page was last edited on 8 August 2024, at 13:49 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
Violin Concerto in D major may refer to: Violin Concerto No. 2 (Mozart) Violin Concerto No. 4 (Mozart) Violin Concerto No. 7 (Mozart) Violin Concerto (Beethoven) Violin Concerto (Brahms) Violin Concerto (Tchaikovsky) Violin Concerto No. 1 (Prokofiev) Violin Concerto (Stravinsky) Violin Concerto (Korngold)
The Grammy Award for Best Instrumental Soloist(s) Performance (with orchestra) was awarded from 1959 to 2011. From 1967 to 1971, and in 1987, the award was combined with the award for Best Instrumental Soloist Performance (without orchestra) and awarded as the Grammy Award for Best Classical Performance – Instrumental Soloist or Soloists (with or without orchestra).