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"A science fiction story is a story built around human beings, with a human problem, and a human solution, which would not have happened at all without its scientific content." [13] Basil Davenport. 1955. "Science fiction is fiction based upon some imagined development of science, or upon the extrapolation of a tendency in society." [14] Edmund ...
The science fiction studies is the critical assessment interpretation, and discussion of science fiction literature, film, TV shows, new media, fandom, and fan fiction. [215] Science fiction scholars study science fiction to better understand it and its relationship to science, technology, politics, other genres, and culture-at-large.
The term was coined by the science fiction writer A. E. van Vogt, [1] who published several fix-ups of his own, including The Voyage of the Space Beagle, [2] but the practice (if not the term) exists outside of science fiction. The use of the term in science fiction criticism was popularised by the first (1979) edition of The Encyclopedia of ...
Science fiction genre – while science fiction is a genre of fiction, a science fiction genre is a subgenre within science fiction. Science fiction may be divided along any number of overlapping axes. Gary K. Wolfe's Critical Terms for Science Fiction and Fantasy identifies over 30 subdivisions of science fiction, not including science fantasy ...
Symbiosis (mutualism) appears in fiction, especially science fiction, as a plot device. It is distinguished from parasitism in fiction, a similar theme, by the mutual benefit to the organisms involved, whereas the parasite inflicts harm on its host. [1]
For decades, the majority of science fiction media fandom has been represented by males of all ages and for most of its modern existence, a fairly diverse racial demographic. The most highly publicized demographic for science fiction fans is the male adolescent; roughly the same demographic for American comic books. Female fans, while always ...
Game of Thrones showrunners David Benioff and D.B. Weiss cooked up something truly otherworldly for Netflix.
In The Encyclopedia of Fantasy (1997), Gary Westfahl defined hard fantasy as a term for stories in which "magic is regarded as an almost scientific force of nature and subject to the same sort of rules and principles", and which "might refer to fantasy stories equivalent to the form of hard sf known as the 'scientific problem' story, where the hero must logically solve a problematic magical ...