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[1] 24 fps was chosen because it was the minimum frame rate that would produce adequate sound quality. This was done because film was expensive, and using the lowest possible frame rate would use the least amount of film. [2] A few film formats have experimented with frame rates higher than the 24 fps standard.
So typical DV video is correctly listed as 480i/30. The long hand for 24p is 480p/24. Often the resolution is dropped and the i/p designation moved after the frame rate for shorthand. 24p cameras do not, as NTSC video cameras do, shoot 30 interlaced frames per second (60 fields); they shoot 24 full progressive frames per second.
The following comparison of video players compares general and technical information for notable software media player programs. For the purpose of this comparison, video players are defined as any media player which can play video , even if it can also play audio files.
At its native 24 FPS rate, film could not be displayed on 60 Hz video without the necessary pulldown process, often leading to "judder": to convert 24 frames per second into 60 frames per second, every odd frame is repeated, playing twice, while every even frame is tripled. This creates uneven motion, appearing stroboscopic.
Comparison of video player software, for software designed to play all digital media including video; Comparison of audio player software, for software specialized in playing audio and manage audio libraries; Comparison of free software for audio#Players; Comparison of DVR software packages; List of smart TV platforms; List of software based on ...
Below is a list of broadcast video formats. 24p is a progressive scan format and is now widely adopted by those planning on transferring a video signal to film. Film and video makers use 24p even if they are not going to transfer their productions to film, simply because of the on-screen "look" of the (low) frame rate, which matches native film.
The study was done with three videos with resolutions of 3840×1744 at 24 fps, 3840×2048 at 30 fps, and 3840×2160 at 30 fps. The five second video sequences showed people on a street, traffic, and a scene from the open source computer animated movie Sintel. The video sequences were encoded at five different bitrates using the HM-6.1.1 HEVC ...
Shown in cinemas in 24 fps. The original 50 fps presentation is not in any home video release. Love & Pop: Hideaki Anno: Japanese: 60 Shot on digital video in interlaced 60 fps, with some scenes shot on 35 mm movie film in 24 fps. Shown in cinemas in 24 fps and in interlaced 60 fps with 24 fps segments on DVD and Blu-ray. 1999 The Blair Witch ...