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The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323 BC ...
The very name – "classic" – indicates the unparalleled prestige they have acquired, for in current parlance "classic" is that which establishes a measure by which other things of that kind are judged. [61] Classical sculpture was in its origin one of the levers for the birth of Aesthetics as an autonomous branch of Philosophy.
Leochares: Apollo Belvedere.Roman copy of 130–140 AD after a Greek bronze original of 330–320 BC. Vatican Museums. Classical sculpture (usually with a lower case "c") refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD.
The same three artists' names, though in a different order (Athenodoros, Agesander, and Polydorus), with the names of their fathers, are inscribed on one of the sculptures at Tiberius's villa at Sperlonga (though they may predate his ownership), [30] but it seems likely that not all the three masters were the same individuals. [31]
Their dimensions vary from small statues to giants such as the kouroi of Delos and Samos, and the unfinished colossi of Naxos, the largest of which reach nearly 10 m. Their usual size, however, is the human size or a little smaller. [31] They served various functions, such as cult statues, ex-votos, monuments celebrating athletes, and funeral ...
Polykleitos: The Doryphoros, the summary of the aesthetic idealism of Classicism. The sculpture of Classicism, the period immediately preceding the Hellenistic period, was built on a powerful ethical framework that had its bases in the archaic tradition of Greek society, where the ruling aristocracy had formulated for itself the ideal of arete, a set of virtues that should be cultivated for ...
A Polykleitan Diadumenos, in a Roman marble copy, National Archaeological Museum of Athens. His Greek name was traditionally Latinized Polycletus, but is also transliterated Polycleitus (Ancient Greek: Πολύκλειτος, Classical Greek Greek pronunciation: [polýkleːtos], "much-renowned") and, due to iotacism in the transition from Ancient to Modern Greek, Polyklitos or Polyclitus.
Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was brightly painted, and this has been lost.