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Early Byzantine architecture drew upon earlier elements of Roman and Greek architecture. Stylistic drift, technological advancement, and political and territorial changes meant that a distinct style gradually resulted in the Greek cross plan in church architecture. [3]
The architectural articulation of the distinct spaces of a cross-in-square church corresponds to their distinct functions in the celebration of the liturgy.The narthex serves as an entrance hall, but also for special liturgical functions, such as baptism, and as an honored site of burial (often, as in the case of the Martorana in Palermo, for the founders of the church).
Typical early Christian Byzantine apse with a hemispherical semi-dome in the Basilica of Sant'Apollinare in Classe Typical floor plan of a cathedral, with the apse shaded. In architecture, an apse (pl.: apses; from Latin absis, 'arch, vault'; from Ancient Greek ἀψίς, apsis, 'arch'; sometimes written apsis; pl.: apsides) is a semicircular recess covered with a hemispherical vault or semi ...
In Byzantine architecture and Romanesque architecture, this familiar feature developed into the apse and is fully treated there. The term exedra is still often used for secondary apses or niches in the more complicated plans of later Byzantine churches; another term is conch, named for the scallop shell form often taken by the half-dome cap.
The exact relationship between Byzantine architecture and that of the Caucasus is unclear. Georgia and Armenia produced many central planned, domed buildings in the 7th century and, after a lull during the Arab invasions, the architecture flourished again in the Middle Byzantine Period. [184] Armenian church domes were initially wooden structures.
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