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A balanced-arm lamp has a base, a stand or body, (in most cases) two connected arms (in many cases fitted with springs), and a lamp-head. The lamp can be moved into almost any position, and the balancing device will maintain the position until moved again. The same overall mechanism can be employed in other devices with similar requirements ...
The Arco lamp is a modern floor lamp designed by brothers Pier Giacomo and Achille Castiglioni for Flos in 1962. [1] The lamp is characterized by a suspended spun aluminum pendant attached to an upright block of Carrara marble via a cantilevered arching arm made of stainless steel.
The lamps have been made from a variety of materials over the years, evolving from the early full steel prototypes into later models made from brass and aluminium. [14] Although the lamp is still marketed as an iconic British design, production for all lamps, except the 1227 Giant model, has been moved to China. [15]
Simple lighting setups use a single lamp or multiple lamps of a single type. More advanced setups can include several lamp types and can also include lamps of different colours. Lamp colour plays an important role in reef aquarium lighting for both aesthetic preference and to optimally sustain the photosynthetic life within the aquarium.
"Simple gravity pendulum" model assumes no friction or air resistance. A pendulum is a device made of a weight suspended from a pivot so that it can swing freely. [1] When a pendulum is displaced sideways from its resting, equilibrium position, it is subject to a restoring force due to gravity that will accelerate it back toward the equilibrium position.
The plan view is the primary view of the light plot and contains the most information on the lighting instruments and their locations. As per the design definition, the plan view illustrates how the venue space would appear to someone above it.
The history of electric light is well documented, [11] and with the developments in lighting technology the profession of lighting developed alongside it. The development of high-efficiency, low-cost fluorescent lamps led to a reliance on electric light and a uniform blanket approach to lighting, but the energy crisis of the 1970s required more design consideration and reinvigorated the use of ...
In so doing, it awarded him a contract to equip all American lighthouses with the lamps; the fitting took four years. In 1815 Lewis won another contract with Samuel H. Smith, Commissioner of Revenue, which gave him a monopoly over the provision of winter pressed Spermaceti oil for lighthouses throughout the eastern seaboard. [ 2 ]