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The angel explains that he has a message of good news for all people, namely that "Today in the town of David a Savior has been born to you; he is the Messiah, the Lord. This will be a sign to you: You will find a baby wrapped in cloths and lying in a manger." [1]
Away in a manger, no crib for a bed, The little Lord Jesus laid down his sweet head. The stars in the bright sky looked down where he lay, The little Lord Jesus asleep on the hay. The cattle are lowing, the baby awakes, But little Lord Jesus, no crying he makes. I love thee, Lord Jesus! look down from the sky, And stay by my cradle till morning ...
In a stable with a donkey and an ox as company, depicted partially at the right, the newborn Jesus is seen lying on straw in a manger. There is a divine light which radiates from the Son of Man Himself.
lying in a manger! O blessed virgin, whose womb was worthy to bear the Lord Jesus Christ. Alleluia! In the original responsorial chant, the first line of Ave Maria is also included: "Ave Maria, gratia plena, dominus tecum".
The angelic promise is accompanied by a sign: they will find the saviour in the form of "a baby wrapped in cloths and lying in a manger". [2] "Suddenly a great company of the heavenly host" (the Greek word used here indicates a military formation, an army) appeared and joined the angel, singing "Glory to God in the highest heaven, and peace ...
At his church, the Nativity scene shows baby Jesus lying in a pile of rubble. In the run-up to Christmas, a prayer service focused on the catastrophic situation in Gaza.
Shortly before her death, she described a vision of the infant Jesus as lying on the ground, and emitting light himself, and describes the Virgin as blond-haired; many depictions reduced other light sources in the scene to emphasize this effect, and the Nativity remained very commonly treated with chiaroscuro through to the
The painting shows the Nativity of Jesus, attended by angels, and with the Annunciation to the shepherds on the hillside behind seen through the window in the centre of the painting. [1] It is a small painting presumably made for private devotional use, and Geertgen's version, with significant changes, of a lost work by Hugo van der Goes of ...