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The horse, sometimes caparisoned in black, follows the caisson carrying the casket. [1] A riderless horse can also be featured in parades (military, police or civilian) to symbolize either fallen soldiers, fallen police officers or deceased equestrian athletes. [2] A motorcycle can be used as a substitute for a horse though such practice is ...
Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.
Christian allegorical map of The Journey of Life, or an Accurate Map of the Roads, Counties, Towns &c. in the Ways to Happiness & Misery, 1775. Scriptural interpretation is sometimes referred to as the Quadriga, a reference to the Roman chariot that was pulled by four horses abreast. The four horses are symbolic of the four submethods of ...
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
Horse — The horse is never mentioned in Scripture in connection with the patriarchs; the first time the Bible speaks of it, it is in reference to the Egyptian army pursuing the Hebrews, During the epoch of the conquest and of Judges, we hear of horses only with the Chanaanean troops, and later on with the Philistines, The hilly country ...
An equestrian statue is a statue of a rider mounted on a horse, from the Latin eques, meaning 'knight', deriving from equus, meaning 'horse'. [1] A statue of a riderless horse is strictly an equine statue. A full-sized equestrian statue is a difficult and expensive object for any culture to produce, and figures have typically been portraits of ...
In monotheistic religions, aniconism was shaped by theological considerations and historical contexts.It emerged as a corollary in which people believed that God was the ultimate power holder, and people who practiced it believed that they needed to defend God's unique status against competing external and internal forces, such as pagan idols and critical humans.
The fourth Horseman, Death on the Pale Horse. Engraving by Gustave Doré (1865). When the Lamb broke the fourth seal, I heard the voice of the fourth living creature saying, "Come". I looked, and behold, an ashen horse; and he who sat on it had the name Death; and Hades was following with him. Authority was given to them over a fourth of the ...