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The 'Ode to a Nightingale,' for example, is a less 'perfect' though a greater poem." [ 30 ] Charles Patterson argued the relationship of "Ode on a Grecian Urn" as the greatest 1819 ode of Keats: "The meaningfulness and range of the poem, along with its controlled execution and powerfully suggestive imagery, entitle it to a high place among ...
William Wordsworth's Ode on Intimations of Immortality from Recollections of Early Childhood (1807) and Thomas Gray's The Progress of Poesy: A Pindaric Ode (1757) are both written in the Pindaric style. Gray's The Bard: A Pindaric Ode (1757) is a Pindaric ode where the three-part structure is thrice repeated, yielding a longer poem of nine stanzas.
Ode to Apollo (1815) Robin Hood (To a Friend) (1818) Lines on the Mermaid Tavern (1818) Ode to Maia (1818) Bards of Passion and of Mirth (1818) Ode to Fanny (1819) 1819 odes: Ode on a Grecian Urn; Ode on Indolence; Ode on Melancholy; Ode to a Nightingale; Ode to Psyche; To Autumn
The four poems preceding these (2.2–2.5) and four poems following them (2.8–2.11) also show symmetry: for example, in both 2.3 and 2.10 Horace recommends living by the "golden mean"; in 2.5 and 2.8 he describes two courtesans, one as yet inexperienced, the other experienced; and so on. [32]
But it was the Greek ode-writers who introduced the practice of strophe-writing on a large scale, and the art was attributed to Stesichorus, although it is likely that earlier poets were acquainted with it. The arrangement of an ode in a splendid and consistent artifice of strophe, antistrophe and epode was carried to its height by Pindar.
The ode begins with an invocation to the Muses to help the groom, and moves through the couple's wedding day, from Spenser's impatient hours before dawn while waiting for his bride to wake up, to the late hours of night after Spenser and Boyle have consummated their marriage (wherein Spenser's thoughts drift towards the wish for his bride to ...
In Latin poetry the epode was cultivated, in conscious archaism, both as a part of the ode and as an independent branch of poetry. Of the former class, the epithalamia of Catullus, founded on an imitation of Pindar, present us with examples of strophe, antistrophe and epode; and it has been observed that the celebrated ode 1.12 of Horace ...
Come Ye Sons of Art, Z.323, [a] also known as Ode for Queen Mary's Birthday, is a musical composition by Henry Purcell. It was written in 1694, and is one of a series of odes in honour of the birthday of Queen Mary II of England. [1] The text of the ode is often attributed to Nahum Tate, who was poet laureate at the time.