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A vocal score or piano–vocal score is a music score of an opera, or a vocal or choral composition written for orchestral accompaniment, such as an oratorio or cantata. In a piano–vocal score, the vocal parts are written out in full, but the accompaniment is reduced and adapted for keyboard (usually piano). [ 1 ]
A vocal score (or, more properly, piano-vocal score) is a reduction of the full score of a vocal work (e.g., opera, musical, oratorio, cantata, etc.) to show the vocal parts (solo and choral) on their staves and the orchestral parts in a piano reduction (usually for two hands) underneath the vocal parts; the purely orchestral sections of the ...
Laputa is credited with "creating the early nagoya kei style along with Kuroyume", [22] combining the sounds of heavy metal music and gothic rock. Musicians that have cited Kouichi as an influence include Ruiza and Hide-Zou from D, [23] Kei from Diaura [24] and Tsurugi from Sadie. [25] Takayoshi Ohmura from Babymetal stated that "I love Laputa ...
Though Hisaishi felt that American film scores used an overly simplistic compositional approach, he commented "But when I redid the music of Laputa this way, I learned a lot." [79] The credits sequence of the film features an original vocal song titled "Carrying You" performed by Azumi Inoue, with music by Hisaishi and lyrics by Miyazaki. The ...
After producing almost only piano music during the early part of his career, he turned with such vigour in 1839–40 to vocal music that it made up the majority of his published work afterwards. His songs, part-songs and larger-scale vocal works were well-known and lucrative in his lifetime, and they have remained some of his most popular ...
In the music industry and entertainment law, a lead sheet is the document used to describe a song for legal purposes. For example, a lead sheet is the form of a song to which copyright is applied—if a songwriter sues someone for copyright violation, the court will compare lead sheets to determine how much of the song has been copied. [3]
This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. The list is based on lists of his works ...
D 780, Six Moments musicaux for piano (pub. 1828, first published as Op. 94), in C major, A ♭ major, F minor, C ♯ minor, F minor, and A ♭ major. D 817, Ungarische Melodie in B minor for piano (1824) D 899, Four Impromptus for piano (1827, first published as Op. 90) in C minor, E ♭ major, G ♭ major, and A ♭ major