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The sentimental novel or the novel of sensibility is an 18th-and 19th-century literary genre which presents and celebrates the concepts of sentiment, sentimentalism, and sensibility. Sentimentalism, which is to be distinguished from sensibility, was a fashion in both poetry and prose fiction beginning in the eighteenth century in reaction to ...
In modern times [15] "sentimental" is a pejorative term that has been casually applied to works of art and literature that exceed the viewer or reader's sense of decorum—the extent of permissible emotion—and standards of taste: "excessiveness" is the criterion; [16] "Meretricious" and "contrived" sham pathos are the hallmark of sentimentality, where the morality that underlies the work is ...
In a narrative composed of episodic vignettes, their trajectory is the most substantial, its overly sentimental story chiming with Zemeckis’s beloved themes of family, nostalgia, isolation and ...
A Ticklish Affair was not well received by critics, who dismissed it as overly sentimental. Reviewer Colin Bennett of The Age called it, "the kind of glossy, sentimental family comedy which is made with the entire cooperation of the United States Navy. Characters and situations are from a well-tried formula ...
For example, in Laurence Sterne's novel, A Sentimental Journey Through France and Italy, the narrator is using the sentimental character Yorick as a device to critique the obligation of morality, whether it is sentimental or rational. There is a scene early in the novel where Yorick meets a monk and refuses "to give him a single sous [a penny]."
That song has been described as overly sentimental, and Goodman was said to have written it that way to subtly poke fun at the team's criticism of "A Dying Cub Fan's Last Request". Goodman died of leukemia in 1984, and some of his ashes were surreptitiously scattered at Wrigley Field, consistent with the lyrics of "A Dying Cub Fan's Last Request".
He continued, "It wasn't sentimental. It showed fallibility; it showed doubt; it showed the humanness. It was neither a cynical takedown or satire on the Vatican, nor was it preaching and overly ...
Modern critics give mixed reviews to the picture. Vincent Price biographer Denis Meikle has called the film "overly sentimental", and criticized the aging make-up as not very good. [48] He thought the movie was suspenseful, but also typical of the "mild" and "inoffensive" period pictures of the era. [26]