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Gothic façade of the Parlement de Rouen in France, built between 1499 and 1508, which inspired neo-Gothic revival in the 19th century. French neo-Gothic had its roots in the French medieval Gothic architecture, where it was created in the 12th century. Gothic architecture was sometimes known during the medieval period as the "Opus Francigenum ...
40.1 Neo gothic buildings erected during 19th or 20th century. 40.2 Medieval and other buildings influenced by neo gothic renovation. 41 Tanzania. 42 Ukraine. 43 ...
Gavin's 2008 book Hell Bound: New Gothic Art continued to theorize the existence of the movement. She has also referred to the style as "the art of fear". [3] The term is associated with work by Banks Violette, David Noonan and Gabríela Friðriksdóttir, in particular, as well as Christian Jankowski, Marnie Weber, Boo Saville, Terence Koh, and Matthew Stone. [3]
Collegiate Gothic is an architectural style subgenre of Gothic Revival architecture, popular in the late-19th and early-20th centuries for college and high school buildings in the United States and Canada, and to a certain extent Europe.
Indo-Saracenic architecture (also known as Indo-Gothic, Mughal-Gothic, Neo-Mughal) was a revivalist architectural style mostly used by British architects in India in the later 19th century, especially in public and government buildings in the British Raj, and the palaces of rulers of the princely states.
Other characteristics of the High Gothic were the development of rose windows of greater size, using bar-tracery, higher and longer flying buttresses, which could reach up to the highest windows, and walls of sculpture illustrating biblical stories filling the façade and the fronts of the transept.
The Gothic Revival was an architectural movement which began in the 1740s in England. [13] Its popularity grew rapidly in the early nineteenth century, when increasingly serious and learned admirers of neo-Gothic styles sought to revive medieval forms in contrast to the classical styles prevalent at the time. [14]
[citation needed] A convert to Roman Catholicism, he believed Gothic architecture to be the only style suitable for religious worship and attacked the earlier Neoclassical architecture as pagan and almost blasphemous. This philosophy embraced by the church in Ireland at the time helped to popularise the Gothic style in Victorian Ireland.