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Money: A Suicide Note is a 1984 novel by Martin Amis. In 2005, Time included the novel in its "100 best English-language novels from 1923 to the present". [1] The novel is based on Amis's experience as a script writer on the feature film Saturn 3, a Kirk Douglas vehicle. The novel was dramatised by the BBC in 2010.
Sir Martin Louis Amis FRSL [1] (25 August 1949 – 19 May 2023) was an English novelist, essayist, memoirist, screenwriter and critic. He is best known for his novels Money (1984) and London Fields (1989).
Nineteen Eighty-Four (also published as 1984) is a dystopian novel and cautionary tale by English writer George Orwell. It was published on 8 June 1949 by Secker & Warburg as Orwell's ninth and final book completed in his lifetime.
The Color of Money is a 1986 American sports drama film directed by Martin Scorsese. It is the sequel to the 1961 film The Hustler. Like the previous film, The Color of Money is based on the 1984 novel by Walter Tevis. The film stars Paul Newman reprising his role as "Fast Eddie" Felson, for which he won the Academy Award for Best Actor.
Price's first novel was The Wanderers (1974), a coming-of-age story set in the Bronx in 1962, written when Price was 24 years old. It was adapted into a film in 1979, with a screenplay by Rose Kaufman and Philip Kaufman and directed by the latter. His novel Clockers, published in 1992, was nominated for the National Book Critics Circle Award.
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Nineteen Eighty-Four (stylized as 1984) is a 1984 dystopian film written and directed by Michael Radford, based upon George Orwell's 1949 novel.Starring John Hurt, Richard Burton, Suzanna Hamilton, and Cyril Cusack, the film follows the life of Winston Smith (Hurt), a low-ranking civil servant in a war-torn London ruled by Oceania, a totalitarian superstate. [6]
George Orwell, author of Nineteen Eighty-Four, whose wartime BBC career influenced his creation of Oceania. What is known of the society, politics and economics of Oceania, and its rivals, comes from the in-universe book, The Theory and Practice of Oligarchical Collectivism by Emmanuel Goldstein, a literary device Orwell uses to connect the past and present of 1984. [1]