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The Symposium is a dialogue—a form used by Plato in more than 30 works. However, unlike in many of his other works, most of it is a series of speeches from different characters.
In Plato's Symposium the members of a party discuss the meaning of love. Socrates says that in his youth he was taught "the philosophy of love" by Diotima, a prophetess who successfully postponed the Plague of Athens. In an account that Socrates recounts at the symposium, Diotima says that Socrates has confused the idea of love with the idea of ...
His Ennead III.5 is an extended allegorical interpretation of passages from Plato's Symposium. Surviving commentaries on Plato's dialogues by Neo-Platonists such as Proclus contain extended allegorical interpretations. [29] Proclus' commentary on Plato's Parmenides says, for example, that the narrator Antiphon could not have been ignorant of ...
Commentaries on Plato refers to the great mass of literature produced, especially in the ancient and medieval world, to explain and clarify the works of Plato.Many Platonist philosophers in the centuries following Plato sought to clarify and summarise his thoughts, but it was during the Roman era, that the Neoplatonists, in particular, wrote many commentaries on individual dialogues of Plato ...
A female aulos-player entertains men at a symposium on this Attic red-figure. The Symposium (Ancient Greek: Συμπόσιον) is a Socratic dialogue written by Xenophon in the late 360s B.C. [1] In it, Socrates and a few of his companions attend a symposium (a dinner party at which Greek aristocrats could enjoy entertainment and discussion) hosted by Kallias for the young man Autolykos.
Plato's Symposium, depiction by Anselm Feuerbach Banquet scene from a Temple of Athena (6th century BC relief). The Greek symposium was a key Hellenic social institution. It was a forum for the progeny of respected families to debate, plot, boast, or simply to revel with others.
Plato relies, further, on the view that the soul is a mind in order to explain how its motions are possible: Plato combines the view that the soul is a self-mover with the view that the soul is a mind in order to explain how the soul can move things in the first place (e.g., how it can move the body to which it is attached in life). [10]
The Serenade, after Plato's Symposium, is a composition by Leonard Bernstein for solo violin, strings and percussion. He completed the serenade in five movements on August 7, 1954. [1] For the serenade, the composer drew inspiration from Plato's Symposium, a dialogue of related statements in praise of love, each statement made by a ...