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Film noir is of course the dark, mysterious genre made popular in the 1940s and '50s and full of long shadows, shady characters, gloomy streets, inky nights and dimly lit rooms.
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
The Verdict is a 1946 American film noir mystery drama film directed by Don Siegel and written by Peter Milne, loosely based on Israel Zangwill's 1892 novel The Big Bow Mystery. It stars Sydney Greenstreet and Peter Lorre in one of their nine film pairings, as well as Joan Lorring and George Coulouris. The Verdict was Siegel's first full-length ...
The full film. A young woman named Janet Stewart is anticipating the arrival of her husband and attempts to check into a hotel. They are meeting after years apart and have planned to meet at the hotel. During his military service he was presumed dead, but actually was a prisoner of war. Unfortunately, her cable requesting the reservation never ...
A blend of smooth jazz music and tobacco smoke fills the air as the silhouette of a trench coat and fedora-clad bystander trudges down a dark city corridor, accompanied only by his shadow. The ...
High Sierra is a 1941 American film noir directed by Raoul Walsh, written by William R. Burnett and John Huston from the novel by Burnett, and starring Ida Lupino and Humphrey Bogart. Its plot follows a career criminal who becomes involved in a jewel heist in a resort town in California's Sierra Nevada, along with a young former taxi dancer ...
The tone of film noir is generally regarded as downbeat; some critics experience it as darker still—"overwhelmingly black", according to Robert Ottoson. [223] Influential critic (and filmmaker) Paul Schrader wrote in a seminal 1972 essay that "film noir is defined by tone", a tone he seems to perceive as "hopeless". [224]
Nightmare Alley is a 1947 American film noir directed by Edmund Goulding from a screenplay by Jules Furthman. [2] Based on William Lindsay Gresham's 1946 novel of the same name, it stars Tyrone Power, with Joan Blondell, Coleen Gray, and Helen Walker in supporting roles.